In the final chapter of Subjects Matter, Daniels and Zemmelman summarize the field of research behind their book. As a reader, I always appreciate a good concluding chapter- one that summarizes what you've just read but also gives you something new to think about. I found it interesting how the What Works Clearinhouse reviewed all that research an determined how effective the strategies and approaches were, being among them the cognitive, linguistic, sociocultural, and critical approaches.
Even though the WWC found that the critical approach had "weak" evidence to support its effectiveness in teaching students how to read and improving upon their existing skills, I am hesitant to throw this approach out the window. Especially as someone who reads in the historical field, it is super important to not lose your critical eye when looking at a text, whether that be a written one or a physical one. I agree with the critical approach in that "all texts are socially constructed, that every word ever published serves someone's interests, and may well work against others" (293). This realization is important to the field of history, as the historian has to sort through numerous records produced by numerous people in order to determine some truth about the past.
Take, for example, Notes on the State of Virginia, by Thomas Jefferson.
Notes presents a scientific approach to documenting, indeed, quantifying, the peoples, land, and culture of the state of Virginia. It includes tables and other data and comes off as a purely scientific venture. When taken in context, however, Notes appears more as an exercise of "sizing oneself up," by comparison showing that America is a land of plenty and prosperity (as opposed to the [true] rumors flying around Europe that America was a dangerous land to live in at the time of the publishing of Notes, with people often dying of starvation or sickness). Notes is about telling the rest of the world that everything in America is bigger- and better- than in Europe in order to calm Jefferson's anxieties about whether or not America will even exist in half a century.
While it probably is a weak strategy to always jump right to the critical mode of reading, it definitely holds a place as a higher level skill that has high potential for student engagement.
Paige's Education Blog
Monday, April 13, 2015
Monday, April 6, 2015
D + Z Chapters 10 and 11
Inquiry projects sound awesome. I think it is especially useful that Daniels and Zemelman provide different "serving sizes" of inquiry projects to suit different classroom needs and constraints. As far as Common Core Standards go, I feel like I've practiced "backmapping" (259) without even realizing it when designing lessons for other classes. I've found that it's a lot easier to design a lesson then go back into the CCSs to find what applies versus feeling like you need to design a lesson that has CCSs 4-7. Inquiry projects seem like they encompass all the things that Daniels and Zemelman are advocating for: choice, student-centered learning, authentic performance/audience, research, connections to real world issues, varied reading material, and teamwork/collaboration. Unfortunately, I can't really remember any inquiry projects I did in high school. I think that if I had done one it would have been memorable. I like the idea of using inquiry projects to spark a debate, like their example of the US dropping the atomic bomb on Japan. I think that inquiry time would be good to get students prepared for a debate.
I feel like chapter 9, about helping struggling readers, was not that great. Daniels and Zemelman offer "key" strategies for helping struggling readers, including create supportive relationships, model thoughtful reading, promote self-monitoring, etc. I feel like these "keys" are just a rehash of everything they have been saying up until this point. I wish they had another "grey" section of actual strategies to use.
I feel like chapter 9, about helping struggling readers, was not that great. Daniels and Zemelman offer "key" strategies for helping struggling readers, including create supportive relationships, model thoughtful reading, promote self-monitoring, etc. I feel like these "keys" are just a rehash of everything they have been saying up until this point. I wish they had another "grey" section of actual strategies to use.
Sunday, March 29, 2015
D + Z Chapters 8 and 9
Last week I attended the 34th Annual New England League of Middle Schools Conference in Providence. I attended a really informative session called "Flipping for Middle School Social Studies: Using the Flipped Classroom for Teaching Social Studies," held by Jean Singers and Andrew Swan of the Bigelow Middle School in Newton, MA. Ever since being introduced to the concept of a flipped classroom, I've been interested in applying that model to my future career. Singers and Swan did a great job showing the benefits of a flipped classroom, demonstrating that it's an idea that can become a lived reality with a lot of frontloaded planning. I think that Social Studies is a content that can especially benefit from a flipped model: instead of making students read boring textbooks at home and then come in to a lecture everyday, students can watch short, content loaded videos and come into class with the background knowledge they need to enhance their learning at a higher level (applying what they know to new scenarios, analyzing primary sources, evaluating historical evidence and text, and synthesizing their knowledge into an original product). The flipped model has built in collaborative learning, a method that is especially fruitful for already super social young adolescents.
Reading workshops and book clubs, the two things discussed in Chapters 8 and 9 of Subjects Matter would be two great additions to a flipped classroom. Critics of the flipped model (parents and administrators) might complain that students are not doing enough content-area reading in home and in school. By using both sustained silent reading workshops in class and longer-term book clubs, students will get an extra dose of literacy instruction.
The way that Swan and Singers ensure their students are accountable for the information they should be retaining in their videos is through what they call "mastery quizzes." A student is assigned a video to watch at home- the video is under 10 minutes and contains only the most necessary information from a given "section" of a chapter or unit. Students have 2 days to watch the videos. When the videos are due, students are given a low-stakes quiz to check for comprehension. If a student passes, they are allowed to move on to the application phase. In the application phase, students are given a sheet with 5-8 different activities that require students to use what they have learned from the video. Students can complete more than one per class. Students who did not pass the mastery quiz can redo the quiz after rewatching the video. This ensures that everyone is on the same page and knows the basic content. After the application days, during which the teachers also have time to conference with students, students are geared towards multi day projects. Once those are complete the process cycles back again.
After learning about reading workshops and book clubs, I think they would be great additions to a flipped classroom. Here's how I'm imagining setting up a typical week:
Friday: assign a video to be watched over the weekend
Monday:
Reading workshops and book clubs, the two things discussed in Chapters 8 and 9 of Subjects Matter would be two great additions to a flipped classroom. Critics of the flipped model (parents and administrators) might complain that students are not doing enough content-area reading in home and in school. By using both sustained silent reading workshops in class and longer-term book clubs, students will get an extra dose of literacy instruction.
The way that Swan and Singers ensure their students are accountable for the information they should be retaining in their videos is through what they call "mastery quizzes." A student is assigned a video to watch at home- the video is under 10 minutes and contains only the most necessary information from a given "section" of a chapter or unit. Students have 2 days to watch the videos. When the videos are due, students are given a low-stakes quiz to check for comprehension. If a student passes, they are allowed to move on to the application phase. In the application phase, students are given a sheet with 5-8 different activities that require students to use what they have learned from the video. Students can complete more than one per class. Students who did not pass the mastery quiz can redo the quiz after rewatching the video. This ensures that everyone is on the same page and knows the basic content. After the application days, during which the teachers also have time to conference with students, students are geared towards multi day projects. Once those are complete the process cycles back again.
After learning about reading workshops and book clubs, I think they would be great additions to a flipped classroom. Here's how I'm imagining setting up a typical week:
Friday: assign a video to be watched over the weekend
Monday:
- mini review of the video / background knowledge activity (have students do something like tweet the text or use cluster mapping to keep track of what they've watched/learned)
- Think Pair Share about the video
- Mastery quiz: check comprehension- does everyone know who X is? what does Y mean? (basic comprehension of the terms, people, ideas, and places that are going to be found in the higher level activities later in the week)
- Book club: have students read independently for the remainder of class. Students should be reading a book of their choice, with 4 students reading the same book. This would be a historical fiction book that takes place in the time period the unit is on. One book per unit.
- Assign reading workshop: this would be 1 or 2 short articles / other non-textbook reading pertaining to the section
- Reading workshop: 1/2 the class
- Students will have read articles in groups of 4. Each group has a different set of readings. Students would be asked to come in with a completed KWL as well as 2 discussion questions.
- After students meet in their groups, use the jigsaw method so that each student has gotten a taste of what the other groups have read.
- Discuss as a whole class
- during this time, I can conference with individual students
- Application: give students a sheet with different "application" level activities that can be done in groups or individually
- These would be activities like reading/interpreting maps, evaluating political cartoons, short RAFTs, etc.
- Students who complete one activity move on to another
Wednesday - Friday:
- Group project based learning. Projects would be geared towards the enduring understandings of a section/chapter.
While this is a rough outline and does not stick to the exact methods of reading workshop vs. book clubs (I've changed them a bit), I think this model does a good job of combining UbD goals, flipped methods, literacy skill building, and collaborative learning. I'm still toying with the idea of also having a summative, formal test at the end of a unit. I'm sure that would make the administration happy, but is it necessary? I think that, with all of these activities, there would have to be a lot of built in informal assesessment.
Now I just need to start building up my library.....
Saturday, March 21, 2015
Using a Textbook / Building a Community
"Is covering the material the same as understanding it?" Ask Daniels and Zimmerman in Subjects Matter (189). As I know from personal experience, the answer to this question is no. Just because you read something, that does not mean that you understand it or will remember it. In Chapter 6, Daniels and Zimmerman deliver a few great strategies to maximize textbook learning. I really liked Jim Burke's "meet your textbook" sheet, especially the inquiry about reading speed. Especially with middle schoolers, it can be hard to manage homework time. By becoming aware of your own reading pace, it will be much easier for you to tackle your assigned reading. I also appreciate that "reading" speed really means reading and taking notes, emphasizing the importance of active reading. I also think that the SQ3R method would be very helpful for students, but I can totally see why they caution teachers not to let SQ3R be the be-all-end-all in reading strategies- it has the propensity to become rote.
With all the strategies in this chapter, Daniels and Zimmerman have made it clear that it is important to scaffold these activities with each student. Every teacher success story in this book reports that the teacher took the time in the beginning of the year to explicitly model exactly how to participate and use each strategy. Especially with the types of on-going projects that are in these 2 chapters, it is crucial that students know what is expected of them and that there is accountability between students. Otherwise the activity wouldn't work at all.
They also emphasize how each of these activities could be given a social dimension- this is a big plus for middle level learners as they are going to try to be talking to each other anyways.
I have 2 questions, however, regarding the content from these 2 chapters. One is about taking risks. While Daniels and Zimmerman offer a few opportunities for evidence of "risk taking," I still wonder what that actually means and how can you see it? What's a risk and what's a guess? What makes a risk safe? Daniels and Zimmerman say that modeling your passion for your subject, valuing students opinions, and holding brief in class conferences with individuals helps "make the classroom a place where students trust the teacher and believe that it's safe to take risks, a place where it's OK to ask questions when they don't understand something, and they can expect to receive the support they need to handle challenges" (206). That all sounds great, but I'm still working out what that all means, what it actually looks like, and how you that you've achieved that.
My other questions is more basic, but, how many multi-day, check in projects can you really have going on at once? Is it possible to do book clubs, to do individual conferences, to have "passion project Fridays," etc. all at once? How do you figure out which things you want to commit to? Because, if you really are doing book clubs, for example, you're doing them. All year- right? Especially if you took the time at the beginning to scaffold it.
With all the strategies in this chapter, Daniels and Zimmerman have made it clear that it is important to scaffold these activities with each student. Every teacher success story in this book reports that the teacher took the time in the beginning of the year to explicitly model exactly how to participate and use each strategy. Especially with the types of on-going projects that are in these 2 chapters, it is crucial that students know what is expected of them and that there is accountability between students. Otherwise the activity wouldn't work at all.
They also emphasize how each of these activities could be given a social dimension- this is a big plus for middle level learners as they are going to try to be talking to each other anyways.
I have 2 questions, however, regarding the content from these 2 chapters. One is about taking risks. While Daniels and Zimmerman offer a few opportunities for evidence of "risk taking," I still wonder what that actually means and how can you see it? What's a risk and what's a guess? What makes a risk safe? Daniels and Zimmerman say that modeling your passion for your subject, valuing students opinions, and holding brief in class conferences with individuals helps "make the classroom a place where students trust the teacher and believe that it's safe to take risks, a place where it's OK to ask questions when they don't understand something, and they can expect to receive the support they need to handle challenges" (206). That all sounds great, but I'm still working out what that all means, what it actually looks like, and how you that you've achieved that.
My other questions is more basic, but, how many multi-day, check in projects can you really have going on at once? Is it possible to do book clubs, to do individual conferences, to have "passion project Fridays," etc. all at once? How do you figure out which things you want to commit to? Because, if you really are doing book clubs, for example, you're doing them. All year- right? Especially if you took the time at the beginning to scaffold it.
Sunday, March 15, 2015
Zimmerman and Daniels, Chpt 4, 5
Two
big ideas that I picked up on in Chapter 4 were the idea of the responsibility
of choice and the windows and mirrors theory of book selection. Daniels and
Zimmerman write that giving kids choice about their reading material does not
give them an easy way out but that “the flip side of choice is responsibility”
(70). I’m sure that it is tempting for some students to choose a piece of
writing simply because it is the shortest, but I think that as long as you
follow up the readings with valuable activities, it won’t matter which piece they
chose because they will be accountable for it. Even more basically, if you only
offer choices that are valuable and content-rich, it won’t matter how short
they are- a nod to Daniels and Zimmerman’s argument that sometimes it is
perfectly appropriate to have 3rd grade material in a 9th
grade classroom. Activities like
jigsawing or think-pair-share seem like they would make students accountable
for reading their choices closely; knowing that you are partially responsible
for another student’s learning makes you take it seriously.
I
appreciate the thought of the “windows and mirrors” theory of book selection.
Research shows that students who feel that they belong to their school
community perform better. I’m sure that, beyond academic performance, there are
other social and psychological benefits to seeing yourself reflected in the
material that you read. On the flip side, one of the most valuable aspects of
reading is its ability to transport you somewhere else, to help you live an
experience through the identity of someone else. I believe that this helps
students develop empathy and the capacity to compromise.
In
general, I really appreciate the wit with which Daniels and Zimmerman return
back to the Common Core Standards and the wiggle room teachers have to teach
it. My understanding has been that teachers generally do not approve of the
CCSS because they feel it takes away their autonomy and puts too much pressure
on simply covering the content versus teaching it. By reading Subjects Matter I am starting to come
around the the Common Core; I think you just need to actually understand what
it means so that you can defend your choices, versus approaching it as a
bureaucratic enemy.
Saturday, February 28, 2015
Designing Assignments and Rubrics
The methods explored for assignment design that were introduced in Chapter 6, "Designing Assignments and Rubrics," pair well with UbD. In deciding how to approach the CRAFT system for design, it seems like it would make the most sense to start with T, topic, first and work backwards. If you were focused on using essential questions and were using UbD to design your unit, the CRAFT system is very complimentary. I think it's always easiest to determine the topic: construction of the pyramids, the development of agriculture, eye for an eye law, etc. The challenge is to pick topics that are within your content but push the students towards thinking about the unit's essential questions: for example, is geography destiny?
I really like the CRAFT system because it is a nice, simple checklist that can dramatically improve any basic writing assignment. I view the context piece as related to how we help students activate their background knowledge and give them the "key" to thinking about the assignment in the right way. Providing context gives students the proper framework for their mind to be working in, it helps channel their energies.
The "R," student role is also important to explicitly note. By creating assignments that give students an identity, a specific type of voice, we create assignments that are student centered and that help push students to imagine the perspectives of others (and I know there is a Common Core Standard for that somewhere....). Instructing students to create a product for a specific audience, the "A" of CRAFT, creates assignments that are more relevant to real world thinking. Students know that later in life they will be drafting reports or creating pitches for people with specific positions and points of view, not for a teacher. I think that specifying an audience for an assignment also intuitively will help students' reading skills: as they practice how to write for different audiences, I believe they will learn how to pick up on the intended audiences of written pieces that they read.
I think that I've had an understanding about what makes an assignment engaging and what makes it busy work, but reading about the CRAFT system has helped me narrow it down and has given me a forward way to achieve creating valuable assignments.
I really like the CRAFT system because it is a nice, simple checklist that can dramatically improve any basic writing assignment. I view the context piece as related to how we help students activate their background knowledge and give them the "key" to thinking about the assignment in the right way. Providing context gives students the proper framework for their mind to be working in, it helps channel their energies.
The "R," student role is also important to explicitly note. By creating assignments that give students an identity, a specific type of voice, we create assignments that are student centered and that help push students to imagine the perspectives of others (and I know there is a Common Core Standard for that somewhere....). Instructing students to create a product for a specific audience, the "A" of CRAFT, creates assignments that are more relevant to real world thinking. Students know that later in life they will be drafting reports or creating pitches for people with specific positions and points of view, not for a teacher. I think that specifying an audience for an assignment also intuitively will help students' reading skills: as they practice how to write for different audiences, I believe they will learn how to pick up on the intended audiences of written pieces that they read.
I think that I've had an understanding about what makes an assignment engaging and what makes it busy work, but reading about the CRAFT system has helped me narrow it down and has given me a forward way to achieve creating valuable assignments.
Monday, February 23, 2015
Central Falls Scavenger Hunt
2. What's the name of the oldest non-profit organization serving the Latino community in the city? Progreso Latino, http://www.progresolatino.org/
4. How many schools are in the city? Colleges and universities? 6 schools operated by the Central Falls School District http://www.cfschools.net/schools.html
8. Is there a post office in town? Yes! It is located at 575 Dexter St.
9. Is there a fire station? A police station? How are fire emergencies handled? What crime statistics are available for the community? Central Falls has its own fire and police stations. From what I could research, the fire squad is not a voluntary association. This year they have welcomed their first female fire fighter. According to City-Data.com, Central Falls have "average" crime rates, which are on par with Providence. 46% of crimes per year were thefts. http://www.city-data.com/crime/crime-Central-Falls-Rhode-Island.html
10. Is there a movie theater in town? Yes, but it closed a long time ago. The building is currently being used as a church. http://cinematreasures.org/theaters/6457
12. Are there parks? Yes, the River Island Campground and Jenks Park.
14. What is the name of the local paper? The Pawtucket Times
19. Visit the Central Falls Library. What events and resources are available? The Adams Memorial Library holds subscriptions to almost 20 different online databases. They have a large selection of Spanish-language materials. They hold book clubs, book sales, homework help, and readings.
22. The first mayor looks down from his perch as students come into school. Charles Moies, 1895
24. There are three professional baseball players from Central Falls. Max Surkont, Charley Basset, and Jim Siwy
26. Becoming wealthy during the Gold Rush of 1849, she remembered her home town and donated $50,000 to build the most recognizable feature of the city. Everyone knows who she is and can see her donation....time after time. Caroline Cogswell/Cogswell Tower
It goes without saying that completing this scavenger hunt would have been a much more appealing venture if the weather was better. The snow made driving around the city really difficult, especially because people were still parking on the street. Driving around the city, I did notice that there were a lot of people just out and about, despite the bad weather. It was vacation week so there was no school. When I went to the library, there were a few kids hanging out on the steps but when I went inside it was practically empty. Admittedly, I felt sort of awkward walking and driving around the city, trying to take pictures. I felt like I stood out like a sore, white thumb. I got a few weird looks from passersby, like, who's this white girl and why is she taking a picture of my post office? I'm sure if I spent more time in the community I wouldn't feel so alien. But hey, feeling like a racial minority is something I rarely experience, so of course it felt slightly uncomfortable. I wouldn't say I felt hostility from the people I encountered, I just think it was very obvious that I was not a local.
I did enjoy researching the town of Central Falls, the most densely populated township in Rhode Island. The most interesting thing I learned about the city is that it served as a place of significance during King Phillip's War, during which 9 colonists were killed and tortured by the Naragansett's in the aftermath of an ambush. There were still a lot of questions that I could not succinctly answer, the most pressing of which to me is why there is such a large Hispanic presence in the city. I know that during the Industrial Revolution many Irish and German immigrants came to the city- do they still have a viable presence?
The biggest thing I will be taking away from this experience is the importance of knowing and understanding the community you serve. Knowing the cultural background of your students is certainly important, but there is also something to be said about literally knowing the physical landscape in which they spend their lives outside of school. For example, forging a strong tie with the public library could be very useful for providing students with an extra pillar in their support system, especially if their's is sort of lacking.
4. How many schools are in the city? Colleges and universities? 6 schools operated by the Central Falls School District http://www.cfschools.net/schools.html
8. Is there a post office in town? Yes! It is located at 575 Dexter St.
9. Is there a fire station? A police station? How are fire emergencies handled? What crime statistics are available for the community? Central Falls has its own fire and police stations. From what I could research, the fire squad is not a voluntary association. This year they have welcomed their first female fire fighter. According to City-Data.com, Central Falls have "average" crime rates, which are on par with Providence. 46% of crimes per year were thefts. http://www.city-data.com/crime/crime-Central-Falls-Rhode-Island.html
10. Is there a movie theater in town? Yes, but it closed a long time ago. The building is currently being used as a church. http://cinematreasures.org/theaters/6457
12. Are there parks? Yes, the River Island Campground and Jenks Park.
14. What is the name of the local paper? The Pawtucket Times
19. Visit the Central Falls Library. What events and resources are available? The Adams Memorial Library holds subscriptions to almost 20 different online databases. They have a large selection of Spanish-language materials. They hold book clubs, book sales, homework help, and readings.
22. The first mayor looks down from his perch as students come into school. Charles Moies, 1895
24. There are three professional baseball players from Central Falls. Max Surkont, Charley Basset, and Jim Siwy
26. Becoming wealthy during the Gold Rush of 1849, she remembered her home town and donated $50,000 to build the most recognizable feature of the city. Everyone knows who she is and can see her donation....time after time. Caroline Cogswell/Cogswell Tower
It goes without saying that completing this scavenger hunt would have been a much more appealing venture if the weather was better. The snow made driving around the city really difficult, especially because people were still parking on the street. Driving around the city, I did notice that there were a lot of people just out and about, despite the bad weather. It was vacation week so there was no school. When I went to the library, there were a few kids hanging out on the steps but when I went inside it was practically empty. Admittedly, I felt sort of awkward walking and driving around the city, trying to take pictures. I felt like I stood out like a sore, white thumb. I got a few weird looks from passersby, like, who's this white girl and why is she taking a picture of my post office? I'm sure if I spent more time in the community I wouldn't feel so alien. But hey, feeling like a racial minority is something I rarely experience, so of course it felt slightly uncomfortable. I wouldn't say I felt hostility from the people I encountered, I just think it was very obvious that I was not a local.
I did enjoy researching the town of Central Falls, the most densely populated township in Rhode Island. The most interesting thing I learned about the city is that it served as a place of significance during King Phillip's War, during which 9 colonists were killed and tortured by the Naragansett's in the aftermath of an ambush. There were still a lot of questions that I could not succinctly answer, the most pressing of which to me is why there is such a large Hispanic presence in the city. I know that during the Industrial Revolution many Irish and German immigrants came to the city- do they still have a viable presence?
The biggest thing I will be taking away from this experience is the importance of knowing and understanding the community you serve. Knowing the cultural background of your students is certainly important, but there is also something to be said about literally knowing the physical landscape in which they spend their lives outside of school. For example, forging a strong tie with the public library could be very useful for providing students with an extra pillar in their support system, especially if their's is sort of lacking.
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